上海Tu Arthouse2022首展-鳥語花香-濮思佳國畫花鳥畫作品展

自在的涂境

策展：杭州后舍藝術(shù)機構(gòu)Artist/Pu /思佳畫展時間：2022·06·28～2022·07·26開館時間：早9～晚16:30、周一休息藝術(shù)主持：寶印Tu Arthouse美術(shù)館執(zhí)行館長：褚景霓執(zhí)行策展人：鄔俊波展覽文本設(shè)計師：韓曦主辦：Tu Arthouse美術(shù)館（上海）展覽地點：Tu Arthouse美術(shù)館/上海市閔行區(qū)龍吳路4221號序： 水納百川，向東入海，文史淵源亦長河漫漫，歷史并沒有無端的偶然，只有流變的必然。藝術(shù)的今日之見，皆可以引經(jīng)據(jù)典，但事實是無法復(fù)原，只是管中窺豹而已。既然如此，更要關(guān)注當下，為我們的年輕人給力，為鮮活的當下喝彩！本展介紹的青年學(xué)子-—中國美術(shù)學(xué)院國畫系花鳥專業(yè)大三的學(xué)生濮思佳同學(xué)，透視她的作品，可以看到她在這所具有南宋皇家基因傳承的名校里的學(xué)習(xí)狀況，可以看到她研習(xí)花鳥繪畫的方法與過程。 在我們每個人身體總是有一種力量，總要做點什么事情，或去畫畫、或去寫詩、或者是去做其它，總之，人生是要修行的，通過修行來提升生命的品質(zhì)。修內(nèi)者，必須保持自己內(nèi)心的寧靜，這樣看見與聽到就沒有雜音，亦不會錯視與偏聽，如此方可保持覺知的真確與思考的清醒，她就是這樣的年輕人，安靜地畫畫，沉浸在藝術(shù)探索的世界里。 藝術(shù)寓于情理，藝術(shù)家需情智高遠才可以畫境出神通靈。人的境界就是畫的境界，要成為內(nèi)心柔軟且思想廣闊的人，要一切向內(nèi)并善始善終。靜心地觀察感受事物，安靜的外在與內(nèi)在的熱情，將是一種表現(xiàn)形式與內(nèi)心之愛的融合。如此交融，其藝術(shù)高度必定是藝術(shù)界所需仰望的坐標。 境，高遠者則至神明，得以集大成； 靜，修內(nèi)者則善其身，得以致遠大！ 青年人如日出朝陽，希望思佳同學(xué)畫業(yè)有成，蒸蒸日上！ 2022/0222/22:22寶印Foreword ：Embracing water from numerous streams, the river is running eastward to the sea. In the enduring history of art, there is no unexpectedness, but inevitable fluidity. Everything we read today may be quoted from classics, but things are not what they seem to be. In this case, we should pay more attention to the present, give strength and support to our young people, and cheer for the living present.The exhibition today is from PU Sijia, a junior student majoring in flower-and-bird paintings at the Department of Chinese Painting, China Academy of Art. From her paintings, we can see her studying at this prestigious school with the inheritance of the royal genes of the Southern Song Dynasty, and we can understand her way and process of studying flower-and-bird paintings. There is always a power innate in each of us. We always would like to do something, to paint, to write poetry, or to do something else. In short, life needs cultivation, which improves our quality of life. Those who cultivate inner self should maintain the tranquility of their hearts, so there is no noise in seeing and hearing, or no misunderstanding and selective hearing. Only in this way can we maintain the authenticity of awareness and the sobriety of thinking. Sijia is such a young lady, quiet and peaceful, fully immersed in a world of artistic exploration.Art resides in sense and emotions, and an artist needs to have a high level of emotion and wisdom to paint the realm of magic. The realm of human beings is the realm of paintings. To be an individual with a soft heart and a broad mind, we shall ask our inner hearts and seek benevolence, make a good start and a perfect end. To observe and feel things in meditation, then quiet external and internal enthusiasm will be a fusion of expressions and inner love. With such a fusion, its artistic height must be the coordinate that the art world needs to look up to. Realms, if high and far reached, will see one who absorbs different opinions from others. Tranquility, if cultivation to be, will see one who is benevolent and achieves greatness!Young people are like the rising sun; I hope Sijia achieves success and prosperity in her paintings! 2022/0222/22:22 Baoyin 展覽空間 在寫這段文字的時候，覺得應(yīng)該寫得靜謐祥和，純凈且詩情畫意，讓讀者能看得清楚明白，因為面對的是青少年學(xué)子，所以不能過于理論說教，否則會讓人感到煩庸。花鳥的歷史在此文一筆帶過，浙派繪畫實際就是中國美術(shù)美院國畫傳統(tǒng)的概稱，同一內(nèi)涵、兩個稱號而已。中國美術(shù)學(xué)院的花鳥歷史名家輩出，本文也簡明扼要，在此不作贅述，無暇求根懷古、溯本求源。 While writing this essay, I think it should be written in a tranquil, pure and peaceful manner to make it poetic and paintingsque, so readers can understand it clearly. As the essay is mainly for young students, it should not be to didactic; otherwise they may feel bored or annoyed. The history of flower-and-bird painting is discussed briefly in this essay. Zhejiang school of painting is actually the generic name of traditional Chinese paintings of China Academy of Art (CAA). They have the same connotation, but with two titles. There have been a galaxy of renowned flower-and-bird painters in the history of CAA, who are not described in detail due to limited space. ?展覽空間 展覽空間 墨色春秋、殷墟甲骨，中國繪畫藝術(shù)的歷史長河中群星璀璨，多少文人墨客，浸沉于筆墨之中，搜奇峰打草稿，剪裁天下美好之物。自南宋皇家畫院至現(xiàn)代中國美院浙派國畫，千秋筆墨、代代相承。歷代畫家托物言志，筆墨丹青抒心中之情，戀山水草木鳥獸之情思，繪江山錦繡之俊朗。In the long history of Chinese painting art, there were a galaxy of literati and ink-painters, searching for oddly-shaped peaks and drafting to paint all the beautiful things in the world. From the Imperial Painting Academy of the Southern Song Dynasty to the Zhejiang School of Traditional Chinese Paintings of the CAA, the art has been inherited from generation to generation. Painters of the past generations expressed their emotions and aspirations by means of birds, flowers, animals and landscapes they painted, and displayed the splendid beauty of the country.?? ?展覽空間 在幽靜的山谷，你能聽到鳥鳴的聲音；在喧囂的城市，所聽到的是繁雜之聲。只有安靜下來，節(jié)奏放慢，我們才能發(fā)現(xiàn)美，發(fā)現(xiàn)自己；只有安靜下來，我們才能發(fā)現(xiàn)花鮮花的盛開，才能聽見鳥兒的歌唱。通過花的榮敗，飛鳥的來去，我們發(fā)現(xiàn)了美的短暫，也認識了人生的意義。由于發(fā)現(xiàn)，我們才會用作品去思考表達愛，創(chuàng)作的源泉就是愛，人類創(chuàng)新思維的符號化，是藝術(shù)回歸理性的簡約方式，符號的使用和抽象過程的演化，則體現(xiàn)了一位藝術(shù)家對自然形態(tài)的視覺處理方式。 We can hear the singing of birds in a quiet valley, but we hear noises in a city of hustle and bustle. Only when we are quiet and slow down, can we discover beauty and ourselves, find flowers blooming and hear birds singing. Through blooming and fading of flowers and birds flying to and fro, we discover the brevity of beauty and know the meaning of life. Because of these discoveries, we may think and express love by means of our works. The source of creation is love. The symbolization of innovative human thinking is a simple way for art to return to rationality. The use of symbols and the evolution of abstract process reflect an artist’s visual treatment of natural forms. ? 　　展覽空間 濮思佳習(xí)畫的狀態(tài)就是這樣，她安靜地畫畫兒，沒有雜念，純凈、祥和，像山谷里的溪水一樣，似乎能看到溪水潺潺地流動；似乎能聽到那悠遠山谷里的鳥鳴，她就是這樣的一個女孩兒，她的情思凝聚在筆端，讓墨留在時鐘的表針里；流淌在時間的河流里。在鋪滿宣紙的湖岸，留下墨的韻味。修身者方致高遠。靜觀筆墨，拂去浮塵，但見得清泉明澈。畫畫時她從容淡定，微微一笑，含蓄得像春天的一抹淡綠。芳菲四月的荷塘春色，她用自己的眼睛，靜靜地觀察自然所有的發(fā)生，一切美好皆可以表達。 PU Sijia’s state of practicing in painting is just like this. She paints quietly, in a pure and peaceful way without any distractions. Like a stream running in a valley, she seems as if we see the stream flowing and hear the birds singing in the distant valley. She is such a girl that her feelings are condensed at the brush tip, ink left on the Chinese art paper, and also, in the tick-tick of the clock, flowing in the river of time. Self-cultivation leads to lofty goals. After flicking away floating dust, we can see the stream is bright and limpid in her brushwork. While painting, she calmly smiles and is as subtle as a touch of light green in spring. To draw the spring scenery of a lotus pond, she observes all the occurrences of nature quietly with her eyes so as to present beauty to viewers.?? 策展：杭州后舍藝術(shù)機構(gòu)藝術(shù)家：濮思佳展覽時間：2022年06月28日-07月26日開館時間：周二至周日9:00-16:30Tu Arthouse美術(shù)館執(zhí)行館長：褚景霓執(zhí)行策展人：鄔俊波設(shè)計師：韓曦主辦：Tu Arthouse美術(shù)館（上海）展覽地點：Tu Arthouse美術(shù)館/上海市閔行區(qū)龍吳路4221號聯(lián)系人：李老師1367187127 展覽空間 ? 藝術(shù)家濮思佳 現(xiàn)為中國美術(shù)學(xué)院國畫與書法藝術(shù)學(xué)院國畫系在讀本科，在校期間在大一獲校二等獎學(xué)金，大二獲省政府獎學(xué)金與三好學(xué)生，現(xiàn)專攻花鳥專業(yè)，平素靜心摹寫院藏古畫，勤于繪事寫生，研習(xí)融合古今畫理，以求花鳥藝術(shù)、既蘊學(xué)院之典雅，又具文人畫之野逸，花鳥作品工寫融合清新雅靜，追尋筆墨形色之禪意。 ?藝術(shù)管理：后舍藝術(shù)機構(gòu) 后舍藝術(shù)機構(gòu)是一所高品質(zhì)策展與收藏指導(dǎo)為核心的藝術(shù)機構(gòu)。它集聚了國內(nèi)外著名的藝術(shù)家，著名策展人，并與國際藝術(shù)機構(gòu)合作交流，展示與發(fā)現(xiàn)當代最具價值的藝術(shù)。 后舍藝術(shù)機構(gòu)策劃了許多高品質(zhì)的國際性的展覽，既有專業(yè)性也有社會美育性的展覽活動，獲得了社會的認同與贊許。策展學(xué)術(shù)平臺集聚策展屆風(fēng)云人物：蘇丹、舒群、單增、翁建清、杜寶印、等著名策展人、藝術(shù)家。后舍藝術(shù)本著作品第一的原則，注重藝術(shù)的精神架構(gòu)與藝術(shù)的品質(zhì)，現(xiàn)在藝術(shù)管理的空間有：上海Tu Arthouse美術(shù)館、松陽后舍美術(shù)館，千島湖雕塑園、千島湖最美女藝術(shù)家研學(xué)基地。 后舍藝術(shù)多次合作參與組織國際性專業(yè)性展覽：如《中德當代藝術(shù)名家邀請展》《中國與意大利意名家四人展》《中國藝術(shù)家赴英國倫敦邀請展》 在中國藝術(shù)鄉(xiāng)建的項目上，組織策劃了《中國松陽后舍藝術(shù)春季》、《千島湖梓桐最美女藝術(shù)家作品展》后舍藝術(shù)機構(gòu)竭誠為藝術(shù)家、團體，策劃與主持高品質(zhì)的展覽。竭誠為藏家服務(wù)，以專業(yè)性、學(xué)術(shù)性的態(tài)度，為藝術(shù)資產(chǎn)配置管理收藏指導(dǎo)提供服務(wù)，同時，后舍藝術(shù)將以愛心服務(wù)與社會，致力于人性的關(guān)懷與博愛。聯(lián)系電話：13958142176: 李老師 ? 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