<p class="ql-block" style="text-align:center;"><br></p><p class="ql-block" style="text-align:center;"><span style="font-size:22px; color:rgb(237, 35, 8);">攝影作品死黑背景非為善論</span></p><p class="ql-block" style="text-align:center;"><span style="font-size:20px; color:rgb(22, 126, 251);">聊 老</span></p><p class="ql-block"><br></p><p class="ql-block">攝影之道，存真寫意，貴乎虛實(shí)相濟(jì)，氣韻貫通?；蛴袌?zhí)迷者，每拍花鳥蟲魚或人像之屬，輒以死黑為背景，謂能凸顯主體，令觀者目光專注。初視之，主體確然醒目，輪廓分明，然細(xì)品之下，味同嚼蠟，了無余韻……</p><p class="ql-block">蓋死黑之景，失卻層次，泯沒細(xì)節(jié)，如繪事徒存筋骨而無血肉，如樂章只剩主音而乏和聲。昔人論畫：“計(jì)白當(dāng)黑，虛實(shí)相生”，攝影同理。背景或淡靄朦朧，或疏枝橫斜，或淺草芊芊，皆可與主體相映成趣，營造意境。若一味削除背景生氣，強(qiáng)作墨色沉沉，則畫面僵滯，靈氣盡失。</p><p class="ql-block">且觀禽鳥之姿，棲于翠枝則顯其靈動，翔于暮天則見其高遠(yuǎn)；若襯以死黑，如囚之樊籠，失卻天然之趣，人像攝影亦然……</p><p class="ql-block">故知攝影布景，不在墨色之濃淡，而在意境之淺深。死黑之選，非為不美，然拘于一法，難成佳構(gòu)。唯因形造勢，隨類賦彩，虛實(shí)相宜，方得攝影之真諦也……</p><p class="ql-block">有首《漁家傲》詞為證：</p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">取景偏耽濃墨聚，</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">沉沉背景遮生氣。</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">主體孤懸無雅趣，</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">真可惜，</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">靈光合被陰霾閉。</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);"><span class="ql-cursor">?</span></span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">?</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">豈必玄云籠四際，</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">疏枝淡靄皆堪倚。</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">虛實(shí)相生方是計(jì)，</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">君須記，</span></p><p class="ql-block" style="text-align:center;"><span style="color:rgb(57, 181, 74);">鏡中雅韻由心締。</span></p><p class="ql-block" style="text-align:center;"><br></p><p class="ql-block"><span style="color:rgb(176, 79, 187); font-size:20px;">本刊作品不分先后順序</span></p> <p class="ql-block">蔣玲杰(長沙)????</p> <p class="ql-block">文寶????</p> <p class="ql-block">金陵老丁(南京)????</p> <p class="ql-block">祺祺姥爺(西安)????</p> <p class="ql-block">蔃者(沈陽)????</p> <p class="ql-block">王惠銘(鹽城)????</p> <p class="ql-block">瀑布飛虹(蘇州)????</p> <p class="ql-block">雙義(成都)????</p> <p class="ql-block">大智若愚(合肥)????</p> <p class="ql-block">閑云·何(廣東)????</p> <p class="ql-block">瀑布飛虹(蘇州)????</p> <p class="ql-block">日月同輝谷明(洛陽)????</p> <p class="ql-block">司馬青衫(江蘇)????</p> <p class="ql-block">靈芝村(武漢)????</p> <p class="ql-block">聊老????</p> <p class="ql-block">蔣玲杰(長沙)????</p> <p class="ql-block">楊強(qiáng)(北京)????</p> <p class="ql-block">治粟尉(西安)????</p> <p class="ql-block">老兵冀秦(西安)????</p> <p 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style="color:rgb(176, 79, 187); font-size:20px;">對攝影有興趣的朋友可以掃碼進(jìn)群</span></p>