<h3><span style="-webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); white-space: normal; -webkit-text-size-adjust: auto; font-family: KaiTi_GB2312, KaiTi; font-size: 23px;"> 李震堅(1922-1992)，浙江縉云人。現(xiàn)代中國著名人物畫家，浙派人物畫的創(chuàng)始人和代表畫家之一，生前為浙江美術(shù)學(xué)院教授，中國美術(shù)家協(xié)會會員。</span></h3> <h5><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">元代趙孟有一首明確提出“書畫同源”理念的詩“石如飛白木如籀，寫竹還應(yīng)八法通。若也有人能會此，須知書畫本來同?！钡睦L畫理論，將書法融入畫中，強調(diào)詩書畫的統(tǒng)一，注重筆墨情趣，不拘泥形似，在蘇軾之后將文人畫提升到一個新的高度。</span></h5> <h1 class="shici-title" style="white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; padding: 10px; text-align: center; font-family: Georgia, STSong, 華文宋體, STFangsong, 華文仿宋, FangSong, NSimSun, SimSun, FangSongGB2312, serif;">如夢令·常記溪亭日暮</h1><h3><div class="shici-info" style="white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; padding: 10px; text-align: center; font-size: 14px; font-family: Georgia, STSong, 華文宋體, STFangsong, 華文仿宋, FangSong, NSimSun, SimSun, FangSongGB2312, serif;">[宋] 李清照</div><div class="shici-content" style="font-size: 16px; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; padding: 10px; text-align: center; font-family: Georgia, STSong, 華文宋體, STFangsong, 華文仿宋, FangSong, NSimSun, SimSun, FangSongGB2312, serif;">常記溪亭日暮，沉醉不知歸路，<br>興盡晚回舟，誤入藕花深處。<br>爭渡，爭渡，驚起一灘鷗鷺。</div></h3> <h1 class="shici-title" style="white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; padding: 10px; text-align: center; font-family: Georgia, STSong, 華文宋體, STFangsong, 華文仿宋, FangSong, NSimSun, SimSun, FangSongGB2312, serif;">水調(diào)歌頭·明月幾時有</h1><div class="shici-info" style="white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; padding: 10px; text-align: center; font-size: 14px; font-family: Georgia, STSong, 華文宋體, STFangsong, 華文仿宋, FangSong, NSimSun, SimSun, FangSongGB2312, serif;">[宋] <br><a href="http://m.shicimingju.com/chaxun/zuozhe/9.html" style="-webkit-tap-highlight-color: rgba(255, 255, 255, 0); -webkit-user-select: none; color: rgb(51, 51, 51);">蘇軾</a></div><h3><font color="#333333">丙辰中秋，歡飲達(dá)旦，大醉，作此篇。兼懷子由。</font></h3><div class="shici-content" style="font-size: 16px; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; padding: 10px; text-align: center; font-family: Georgia, STSong, 華文宋體, STFangsong, 華文仿宋, FangSong, NSimSun, SimSun, FangSongGB2312, serif;">明月幾時有，把酒問青天。 <br>不知天上宮闕，今夕是何年？ <br>我欲乘風(fēng)歸去，又恐瓊樓玉宇， <br>高處不勝寒。 <br>起舞弄清影，何似在人間！ <br><br>轉(zhuǎn)朱閣，低綺戶，照無眠。 <br>不應(yīng)有恨，何事長向別時圓？ <br>人有悲歡離合，月有陰晴圓缺， <br>此事古難全。 <br><h3>但愿人長久，千里共嬋娟。</h3></div> <h3>幾片落花隨水去，一聲長笛出云來。</h3> <h5><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">書法是線條的藝術(shù)，篆、隸、草、行、楷不同的書體，會給人不一樣的視覺感受。古往今來，繪畫大師都會從書法中汲取營養(yǎng)并尋找靈感來豐富國畫的線條，如果沒有書法的功底，筆下的線條就會輕浮、疲軟。</span></h5> <h5><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">在書法中，線條筆畫的形成，都是經(jīng)過提、按、轉(zhuǎn)、折學(xué)動作來完成的，而這套動作流程，便可以形成一組婉轉(zhuǎn)柔韌的富有運動及韻律的線條。</span></h5> <h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">李震堅的筆墨線條，力度強勁，圓潤利落，書寫速度快慢均勻，節(jié)奏舒緩。把書法的這套動作運用到繪畫當(dāng)中，節(jié)奏緩和而用筆筆穩(wěn)健深沉，氣象蒼茫，畫面中的氣勢通過用筆傾注到繪畫的筆墨中來，另外，書法當(dāng)中，用線強調(diào)力量的強弱，畫法用筆重骨法，重挺拔。所以，從他的意筆人物、山水、花鳥作品當(dāng)中可以看出下筆如刀，線條飛舞，勁健非凡。</span><br></h3> <h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">李震堅吸收書法與寫意的藝術(shù)特征，使繪畫線條有更豐富的藝術(shù)魅力，空間的效果也變得更為多樣化。</span><br></h3> <h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">李震堅在人物畫中的用筆用墨，線條的粗細(xì)、長短、虛實、呼應(yīng)等方面，都注意了物象的姿態(tài)變化，并且能夠讓書法的線條穿插得協(xié)調(diào)統(tǒng)一，耐人推敲。</span><br></h3> <h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">李震堅一生得力之處就在于能夠用書法書體兼柔并做，經(jīng)常是書筆捏來，“以書作畫任意為，筆墨蒼勁涂滿紙”，在肆意率真的筆法中揮灑著磅礴凌然之豪氣。</span></h3> <h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">從具象的角度來看，是筆、是墨、是生活所見，但要是從抽象的角度來看，不論是粗框線條，還是意筆墨色，可以算是書法的藝術(shù)，這些縱橫交錯、鏗鏘有力的線條，洋溢著一股爽朗、雄強的勃勃生機，達(dá)到了中國寫意畫線條藝術(shù)的崇高境界。</span><br></h3> <h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">筆墨渾厚豐滿是李震堅繪畫的最大特點，也是有別于其他畫家繪畫風(fēng)格的獨特性所在，具體衣現(xiàn)在道面上就是畫風(fēng)雄渾、物象奇肆、用筆古拙。</span><br></h3><h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">雄渾之美，是一種自然大道之美，是以雄偉的氣魄、蒼渾的態(tài)勢給人以厚重之感；奇肆之象，是一種有別于自然原有物象的美，多呈現(xiàn)奇古、夸張之貌，是一種變幻莫測之美。</span><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;"><br></span></h3> <h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">古拙之筆，是抒寫物像的內(nèi)在氣質(zhì)之美，在方與直之間，在剛與柔之中，展現(xiàn)用筆之蒼勁老辣、清新古雅。而在李震堅的作品中這三個特點是相互貫通與融合，加之李震堅靈動、古健的用筆，使得畫面總是陽剛中蘊藏充實之美，表達(dá)出宇宙的無窮玄妙，畫家的飄逸脫俗，生命的生生不息之精神。</span><br></h3> <p style="font-family: -webkit-standard; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto;"> 漁翁 </h3><p style="font-family: -webkit-standard; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto;"> 唐 · 柳宗元</h3><p style="font-family: -webkit-standard; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto;"> 漁翁夜傍西巖宿，曉汲清湘燃楚竹。</h3><p style="font-family: -webkit-standard; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto;"> 煙銷日出不見人，欸乃一聲山水綠。</h3><p style="font-family: -webkit-standard; white-space: normal; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto;"> 回看天際下中流，巖上無心云相逐。</h3> <h3><span style="white-space: normal; caret-color: rgb(51, 51, 51); color: rgb(51, 51, 51); font-family: -apple-system-font, BlinkMacSystemFont, "Helvetica Neue", "PingFang SC", "Hiragino Sans GB", "Microsoft YaHei UI", "Microsoft YaHei", Arial, sans-serif; font-size: 18.600000381469727px; letter-spacing: 0.674560010433197px; text-align: justify; -webkit-text-size-adjust: 124%;">從藝術(shù)的繼承與發(fā)揚來看，李震堅的繪畫體現(xiàn)了趙孟熱所提倡的“書畫同源”并且開啟了浙派中國人物畫一代的畫壇風(fēng)尚，可見其藝術(shù)魅力影響之遠(yuǎn)，藝術(shù)影響之久，在藝術(shù)中具有不朽的生命力。</span><br></h3>