退休后第二本書《淺談藝術(shù)攝影》

楊柳

<h3>????????????????????? 作者簡介 </h3> <h3>楊世欽同志：生于1943年1月。1963年畢業(yè)于成都水力發(fā)電學校，陸地水文專業(yè)。1965年志愿申請到西藏從事水文工作，2004年7月退休回到四川成都。 1988年至1989年，參加武漢大學藝術(shù)攝影班，旁聽攝影課兩年。1988年參加中國攝影函授學院學習一年。 1990年成為峨眉山攝影家協(xié)會會員，1992年成為西藏攝影家協(xié)會會員。 退休前，先后在報紙、雜志、期刊和多本畫冊上，發(fā)表攝影作品一千多張，發(fā)表文章十多萬字。1994年6月17日美國《華美時報》用一個版面，刊登并介紹楊世欽同志的攝影作品。先后在國際國內(nèi)攝影大賽中獲獎七次。 主編《輝煌的五十年》畫冊、主編《西藏水文人》文學書、編寫《西藏水文測驗手冊》業(yè)務書。 《西藏科級》雜志、《西藏青年報》聘用為特約記者，多家報紙、雜志聘用為通訊員。 退休后，從學習拼音開始，學習電腦。學習數(shù)碼攝影、圖片后期制作?；脽羝庉?，配音、配文字。學習制作臺歷。學習影視制作。 退休后寫《園丁進行曲》一本小冊子書，由單位領導送自治區(qū)教委發(fā)至有關學校。在《環(huán)球時報》“我與邊疆”征文比賽中，文章《天路》獲三等獎（獎勵電影本一臺） 退休后，著作《我的西藏夢》一書。本次著作《淺談藝術(shù)攝影》一書。 退休后成為《成都市攝影協(xié)會會員》、《四川省老年攝影家協(xié)會會員》</h3> <h3>內(nèi)容提要 ? 本書簡要介紹攝影的歷史，攝影藝術(shù)的發(fā)展，在國民經(jīng)濟中所起的作用。 該書用通俗易懂的文字，以及大量的圖片配合講解說明，關于藝術(shù)攝影，自己學習、實踐和體會。 書中介紹攝影用光、攝影構(gòu)圖、攝影形成的基調(diào)（色調(diào)）、影調(diào)（色調(diào)），以及攝影的視覺中心（趣味中心）等方面的知識，并介紹照相機的功能與使用。同時從多方面闡述，在藝術(shù)攝影中，需要注意事項和應用方面的知識。 從這些知識的介紹中，闡明什么樣的攝影作品，是藝術(shù)攝影作品。如何評價一幅藝術(shù)攝影作品。以及藝術(shù)攝影創(chuàng)作的方法和途徑。 同時本書介紹常用的拍攝方法，以及部分特殊攝影方法。由于書中的內(nèi)容淺顯易懂，適合普通攝影愛好者，向藝術(shù)攝影方向過度者閱讀。 注：書中的內(nèi)容多為自己的實踐和體會，很多認識不一定全面，甚至可能認識錯誤。這是我本人攝影交流體會。</h3> <h3>?目錄 ? 1·攝影術(shù)的產(chǎn)生與發(fā)展····························· 7 2·攝影進入藝術(shù)行列······························· 8 3·攝影用光······································· 11 3·1·控制進光量的四大功能：··················· 12 3·1·1·光圈大?。骸ぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁ?12 3·1·2·快門速度····························· 13 3·1·3·感光度······························· 13 3·1·4·曝光補賞····························· 13 3·2·準確曝光是攝影的基本要求·················· 14 3·3·攝影用的光源······························ 15 3·4·用光講究是藝術(shù)攝影的關鍵·················· 16 3·4·1·順光································· 16 3·4·2·側(cè)光································· 17 3·4·3·側(cè)逆光······························· 18 3·4·4·逆光································· 19 4·攝影構(gòu)圖······································· 23 4·1·構(gòu)圖注意事項····························· 23 4·1·1·把視覺中心放在黃金分割點附近········· 24 4·1·2·構(gòu)圖盡量避免失重····················· 26 4·1·3·在一個畫面中不能產(chǎn)生幾個視覺中心····· 27 4·1·4·構(gòu)圖要簡潔··························· 27 4·2·構(gòu)圖的方式································· 28 4·2·1·“O”型構(gòu)圖·························· 29 4·2·2·“U”型構(gòu)圖····························30 4·2·3·“S”型構(gòu)圖····························30 4·2·4·“A”型構(gòu)圖····························31</h3> <h3>4·2·5·“Z”型構(gòu)圖····························31 4·2·6·梯形構(gòu)圖······························31 4·2·7·對角線構(gòu)圖····························32 4·2·8·開放式構(gòu)圖····························32 4·2·9·封閉式構(gòu)圖····························33 5·攝影中的影調(diào)（色調(diào)）·····························34 5·1·攝影中的基調(diào)······························34 5·1·1·黑白攝影中的基調(diào)·····················34 ? ??5·1·1·1·高調(diào)···························34 ?? ?5·1·1·2·低調(diào)···························35 ? ??5·1·1·3·中間調(diào)·························37 5·1·2·彩色攝影中的基調(diào)····················38 ? ??5·1·2·1·冷色調(diào)·························38 ? ??5·1·2·2·暖色調(diào)·························39 ?? ?5·1·2·3·中間調(diào)·························41 5·1·3·高調(diào)（冷色調(diào)）低調(diào)（暖色調(diào)）使主體更加突出 ??????????????????????? ······················42 5·1·4·中間調(diào)的背景和環(huán)境協(xié)助突出主題·······42 5·2·色溫·······································43 5·2·1·什么是色溫····························43 5·2·2·色溫是如何制定························43 5·2·3·影響和改變色溫的方法··················43 6· 影調(diào)（色調(diào)）層次豐富···························44 6·1·影調(diào)層次的感染力···························44 6·2·影調(diào)層次豐富的作用·························47 6·2·1·有利于表現(xiàn)被攝體的縱深感··············48 6·2·2·在拍攝人像時增強人體的立體感··········48 6·2·3·使被攝體的質(zhì)感充分體現(xiàn)·····</h3> <h3>7· 藝術(shù)攝影的視覺中心（趣味中心）··················50 7·1·藝術(shù)攝影的視覺中心·························50 7·1·1·《我和我的祖國》························51 7·1·2·《昨天、今天、明天》····················52 7·2·藝術(shù)攝影中的趣味中心·······················55 7·2·1·《注意啦，小心地滑??！》················55 7·2·2·《哎！聽見沒有，給我們也照照相》·······55 7·2·3·《回家》·······························55 7·2·4·《門衛(wèi)》·······························56 7·2·5·《白鷺奇遇》攝影小品組照··············56 7·3·攝影命題···································57 7·3·1·給讀者留足聯(lián)想空間的命題··············57 7·3·2·根據(jù)被攝人和事命題····················58 7·3·3·根據(jù)被攝物命題························59 7·3·4·以工作目的命題························61 7·3·5·擬人化命題····························62 7·3·6·逆向命題······························62 8·攝影常用的方法··································65 8·1·什么是照相機的像素·························65 8·2·照相機的功能與使用·························66 8·3·攝影常用的方法·····························67 8·3·1·抓拍法·······························67 8·3·2·擺拍法·······························69 8·3·3·擺布與抓拍相結(jié)合的方法···············72 9·景深的概念······································73 9·1·什么是景深·································73 9·2·影響景深的因素·····························75</h3> <h3>9·2·1·光圈大小·····························75 9·2·2·鏡頭焦距大小·························75 9·2·3·調(diào)焦距離大小（遠近）··················75 9·3·什么是超焦距······························76 10· 攝影的特殊方法································77 10·1·長時間曝光拍攝法·························77 10·2·追隨攝影法·······························80 10·3·錯位攝影法·······························81 ? 10·3·1·《求婚》······························82 ? 10·3·2·《雙頭烏龜》··························82 ? 10·3·3·《老外的胡子》························83 ? 10·3·4·《鷺頭鵝身的奇怪動物》················84 11· 景深的實際應用································85 11·1·用超焦點距離獲得最大景深··················85 11·2·減小景深使主體更加突出····················86 11·2·1·控制景深拍攝鮮花···················87 11·2·2·控制景深拍攝花鳥···················89 11·2·3·控制景深使人物更加突出·············90 11·3·控制景深，使空中民航飛機和飛鳥同在畫面內(nèi)··91 12· 淺談藝術(shù)攝影··································95 12·1·什么樣的攝影作品是藝術(shù)攝影作品············96 12·2·如何才能創(chuàng)作出好的藝術(shù)攝影作品············103 12·2·1·什么是藝術(shù)修養(yǎng)······················103 12·2·2·提高自己的藝術(shù)修養(yǎng)··················104 12·2·3·熱愛生活是藝術(shù)攝影創(chuàng)作的基礎········104 12·2·4·提高自己的攝影技能··················104 ?</h3>

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退休后第二本書《淺談藝術(shù)攝影》

楊柳