馮偉 / 藝術作品，越界，F(xiàn)eng Wei's works of Art，Cross the border

AAbc原創(chuàng) / 中國藝術&線上國際

馮偉 中國美術家協(xié)會會員 中國攝影家協(xié)會會員 浙江國際美術交流協(xié)會會員 北京攝影家協(xié)會會員 中國版協(xié)裝幀藝術委員會會員。 中國版協(xié)連環(huán)畫藝委會理事。 中國東方文化研究會連環(huán)畫分會理事。 中國民俗攝影家協(xié)會會士。 中國民主促進會會員 1949年出生就讀于中央美術學院《中國新聞出版報》任美術攝影組組長、《中國連環(huán)畫出版社》第二編輯主任《卡通城》漫畫雜志任主編《幻想》雜志資深顧問。《少年漫畫》編委《攝影世界》雜志特約攝影師。 Feng WeiMember of China Artists AssociationMember of China Photographers AssociationMember of Zhejiang International Art Exchange AssociationMember of Beijing Photographers AssociationMember of the binding art committee of China Publishing Association.Director of Comic Art Committee of China Publishing Association.Director of comic strip branch of China Oriental Culture Research Association.Member of China Folk Photographers Association.Member of China Association for the promotion of democracyBorn in 1949 He studied at the Central Academy of fine artsChina Press and publication daily served as the head of the art photography groupThe second editorial director of China comic book publishing houseEditor in chief of cartoon city comic magazineSenior Consultant of fantasy magazine.Editorial board member of juvenile comicsSpecial photographer of photography world magazine. 《世界市場開拓指南》榮獲1999年第五屆全國書籍裝幀藝術展覽優(yōu)秀獎《當代詩歌潮流回顧寫作藝術借鑒》《世界市場開拓指南》入選1999年第五屆全國書籍裝幀藝術展覽《珍貴動物》插圖4幅入選1988年全國兒童美術作品展覽主編《小小動物園》1991年在第三屆向全國婦女兒童推薦最佳優(yōu)秀圖書活動中，評為優(yōu)秀圖書。主編《哈哈博士科學連環(huán)畫庫》1993年獲第二屆新聞出版署直屬出版社優(yōu)秀圖書編輯二等獎。1994年又榮獲第七屆中國圖書獎. 2007年6月《情緣西藏-寧波籍攝影家馮偉作品展》在寧波美術館展出，5幅攝影作品被寧波美術館收藏 2007年國畫《賽牦牛圖》在“我的雪頓節(jié)作品大賽”中獲書畫組一等獎《幸福生活》等四幅攝影作品入選2009年西藏珠穆朗瑪攝影大展 1995年中央春節(jié)晚會吉祥物設計獲獎者。 1990年參加繪畫的《世界通話名著（連環(huán)畫）》獲第三屆“中國圖書獎” 2011年9月國畫《放牧圖》被中國美術總社收藏 2014年水墨組畫《天地之間》入選中國（臨沂）國際藝術大展 2015年11月國畫《春》，《天際》參加加拿大國際中國書畫名家展被多倫多中華文化中心收藏 2016年6月國畫《風云際會》俄羅斯克拉斯諾亞爾斯克市舉辦的第5屆亞洲音樂藝術節(jié)獲一等獎《去拍西藏》2012年9月在浙江攝影出版社出版《西藏秘境》2010年6月在中國攝影出版社出版《西藏秘境》2006年8月在臺灣源樺出版公司出版《情緣西藏》2004年10月在中國青年出版社出版《去拍西藏》2012年9月在浙江攝影出版社出版 1995年中央春節(jié)晚會吉祥物設計獲獎者。 作品曾多次參加全國性美展、影展。 ?馮偉印象 與馮偉兄相識已近四十載，四十年前我們在寧波都曾師從于王守華老師學畫。春去秋來，歲月匆匆，一晃我們都已成了60、70后老夫矣，人生如夢！ 平日里偶爾去他的畫室喝茶、看畫、聊天，最近看到他有一些很“特別“的畫作呈現(xiàn)，甚是欽佩和歡喜。馮偉兄自小生長在一個干部家庭，從我認識他時就是一個性情開朗、愛好寬泛的文藝青年，書法、繪畫、攝影樣樣精通且都玩的不同一般，這在同輩人中十分難得和令人羨慕。 我說他作品“特別”，主要是指他近期創(chuàng)作完成的一批水墨西藏山水作品，其“特別”處在于他以不同尋常的視角和非司空見慣的手法表現(xiàn)了西藏大山大水的神秘意境以及由此而凸顯的大寫意水墨這一傳統(tǒng)中國畫語言在表現(xiàn)現(xiàn)代山水詩意空間上的意趣和努力。這種“特別”在個人有時雖然只是一點點但比重復他人丶重復自然高級一千倍一萬倍。 記得當年王守華老師在給我們講解石壺山水時特別強調(diào)石壺筆墨的“趣味”性，畫沒有趣味是死畫，筆墨沒有趣味是呆筆墨。從這一點上說馮偉兄是深知個中三昧的，不容易！ 祁恩進 2019. 8.29 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 Feng Wei's impressionWe have known brother Feng Wei for nearly 40 years. Forty years ago, we learned painting from Mr. Wang Shouhua in Ningbo. Spring goes and autumn comes, and the years are in a hurry. In a flash, we have become post-60s and Post-70s old men. Life is like a dream!On weekdays, I occasionally go to his studio to drink tea, watch paintings and chat. Recently, I saw that he has some very "special" "I admire and rejoice in the presentation of my paintings. Brother Feng Wei grew up in a cadre family when he was young. From the time I knew him, he was a young man of literature and art with cheerful temperament and broad hobbies. He was proficient in calligraphy, painting and photography and played different games, which was very difficult and enviable among his peers.When I say that his works are "special", I mainly refer to a batch of ink Tibetan landscape works he has recently created. The "special" lies in his unusual perspective and non common means to express the mysterious artistic conception of mountains and waters in Tibet and the interest and efforts of capital meaning ink, a traditional Chinese painting language, in expressing the poetic space of modern landscape "Special" is sometimes only a little, but it is 1000 times and 10000 times higher than repeating others and nature.I remember when Mr. Wang Shouhua explained Shihu landscape to us, he especially emphasized the "interest" of Shihu pen and ink. Painting without interest is dead painting, and pen and ink without interest is dead pen and ink. From this point of view, brother Feng Wei knows the samadhi, which is not easy!Qi Enjin2019. 8.29 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 畫家眼光影家傳奇 在光和作用下大自然的非常之境成了變幻中的一瞬，加之天時地利人和的綜合作用，給攝影藝術蒙上了神秘莫測的面紗，充滿著“謀事在人，成事在天”式的成敗變數(shù)。因此，攝影藝術需要發(fā)現(xiàn)美的眼光和再現(xiàn)美的方式，也須有獨特的體魄與非凡的膽識。當照相技術遇上了善于發(fā)現(xiàn)美的眼光，造化之美被凝固成了種種難以言傳的永恒。然而，攝影家對于美的發(fā)現(xiàn)與把握又受制于季節(jié)性光和作用。對于攝影家來說，天下奇觀及優(yōu)美的動態(tài)表情，是一種可遇而不可期的機緣巧合。景致在四季更替與朝暮變化中每每呈現(xiàn)出截然不同的意境內(nèi)涵，何況是捕捉奇幻景象和精彩的生活瞬間，更要有足夠的勇氣和毅力去跋山涉水，把握最能揭示山川表情的一面。在照相機不甚普及的年代，攝影工作大都緣于工作分配，攝影者多缺乏審美意識，且多不明畫理。直到畫畫的人將審美感受記錄在膠片里的時候，才一掃攝影中的美學盲區(qū)。作為收集繪畫素材的便捷手段，畫家出身的馮偉拿起相機深入藏區(qū)記錄生活感受。未曾料想，一發(fā)而不能自己，竟成了藝術攝影的拓荒者。集畫家與攝影家于一身的馮偉，自從步入西藏的那天起，便折服于雪域高原的神奇與美麗，從此再也停不下蹈險求真的步履，一心要將所見所感呈現(xiàn)于不同尋常的影照之中。于是，身居京城的畫家擱筆停業(yè)，數(shù)整行囊，九進西藏，數(shù)次死里逃生，像是于生死劫難中取經(jīng)的唐僧，在捕捉大自然神奇瞬間的同時，也留下了一個個歷險傳奇。當數(shù)以千記的美景呈現(xiàn)人前的時候，人跡罕至處也留下了他永恒的人生懷想，故其影作大多帶有非凡的情感憶緒。馮偉多愁善感，對于美的形態(tài)有著獨特的敏感，而感知美的意緒卻常常難以持久，抑或時而消散于跳躍性思維之中。也許正是此等與眾不同的獨特潛質(zhì)恰好暗合了攝影創(chuàng)作的特性，對于美的敏銳洞察力在照相快門的喀嚓聲中一一凝固成了曠世奇觀。但凡人物畫家都有以速寫捕捉人物動態(tài)表情和生活場景的能力，人物畫家出身的馮偉深諳其中理數(shù)，對于把握最能體現(xiàn)生活化情狀的動態(tài)表情，成了他揭示人物內(nèi)心世界的法寶。于是趁對象不經(jīng)意時抓拍，而使所攝人物的瞬間性情態(tài)大都生動自然，且具濃郁的生活氣息，絕無人物擺拍中的匠氣。以至于觀者在與影照中的人物相對而視時，總有一種覿面相遇似的感覺。這在給予觀者一絲絲親切之感的同時，也激發(fā)了人們的神往之情，此即馮偉西藏人物攝影之所以具有動人魅力的原委所在。雪域高原的神奇在于變幻莫測的內(nèi)在魅力，在于冰清玉潔式的高雅氣質(zhì)。倘若僅僅局限于外形作浮光獵影式的抓拍往往流于膚淺，無以揭示其內(nèi)在的美妙。也只有深入腹地與之心靈對語，才能感受其神圣的一面。因而有志為其傳神寫照的攝影家，不僅要有善于發(fā)現(xiàn)美的眼光和吃苦耐勞的體魄，也須有萬死不辭的探險精神。畫家出身的攝影家馮偉，有著豐富的人生閱歷和不同尋常的歷險經(jīng)歷，長期的生活歷練造就了他深入雪域高原發(fā)現(xiàn)美、凝固美的能力。臨危不懼、迎難而上的敬業(yè)精神使之有幸感受到藏區(qū)深處的美妙和神奇，并將其一一幻化成有別于同類題材的攝影佳作，使得神奇的瞬間成為了美妙的永恒。這是馮偉所攝景照勝于同時代攝影家的可貴之處，也是他不負此生使命的欣慰之處。因此，倘若以報告文學式的紀實手法回顧馮偉的攝影經(jīng)歷，他九死一生的過程似乎更其動人。數(shù)千幅風光奇觀和人物生活景照，一旦與他富有傳奇色彩的攝影經(jīng)歷聯(lián)系在一起，使人不由地聯(lián)想其小打小鬧式的人物畫筆墨小品，以及善于發(fā)現(xiàn)美卻思維跳躍的藝術秉賦，仿佛其旺盛的生命力原本就是為雪域高原造像而生的。當西藏的山山水水、風土人情被凝固成一個又一個神圣的畫面而成為永恒之時，馮偉深入西藏腹地險象環(huán)生的拍攝經(jīng)歷便有了不同尋常的生命意義，影作所現(xiàn)也就有了獨特的人格魅力。 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 As a convenient means of collecting painting materials, Feng Wei, a painter, took a camera and went deep into the Tibetan area to record his life feelings. Unexpectedly, he became a pioneer of art photography. Feng Wei, a painter and photographer, has been impressed by its magic and beauty since he entered Tibet. From then on, he can no longer stop taking risks and seeking truth, and is bent on presenting what he sees and feels in unusual photos. As a result, painters living in the capital stopped writing, closed business, reorganized their bags, entered Tibet six times and escaped from death several times. Like Tang monks who learned from life and death, they also left adventure stories while capturing the magical moments of nature. When thousands of beautiful scenes are presented to people, the inaccessible places leave his eternal thoughts of life, and his works are full of extraordinary emotional memories. Feng Wei is sentimental and has a unique sensitivity to the form of beauty, but the feeling of perceiving beauty is often difficult to last, or even dissipated in jumping thinking. However, these unique potentials coincide with the characteristics of photographic creation, and the keen insight into beauty is successfully realized in the click of the photographic shutter. Most figure painters have the ability to capture characters' dynamic expressions and life scenes with sketches. Feng Wei, who was born as a figure painter, is well versed in the theory of numbers. His grasp of the dynamic table that can best reflect the life situation has become an important magic weapon for him to reveal the characters' inner world. The instantaneous modality of the photographed characters is mostly captured inadvertently by the object, without the craftsmanship of portrait photography. So that when the viewer looks at the characters in the shadow, there is always a feeling of meeting each other. This not only brings a sense of intimacy to the viewer, but also stimulates people's yearning, which is the charm of Feng Wei's Tibetan figure photography. The magic of the snow covered plateau lies in its unpredictable internal charm and its elegant temperament. Only limited to the external deion, can we reveal its inner beauty. Only by going deep into the hinterland and talking to its soul, can we feel its rich side. Photographers who are willing to portray them vividly should not only have a good eye for discovering beauty and a hard-working physique, but also have an adventurous spirit of never giving up. Feng Wei, a photographer born as a painter, has rich life experience and practical experience. His long-term life experience has created his ability to go deep into the snow plateau to discover and create beauty, especially his professionalism to face danger and difficulties, so that he is lucky to feel the beauty and magic in the depths of Tibet, and turn them into photographic works one by one to make them eternal beauty. This is the value of his superiority over his contemporaries, and it is also the reason why he did not disgrace his mission in this life. If we look back on Feng Wei's photographic experience with reportage, the process of his near death seems to be more moving. Thousands of photos of scenery wonders and people's lives, once linked with his legendary photography experience, make people think like this: Feng Wei's previous painting creation, small-scale photography experiments, artistic temperament good at discovering beauty but difficult to last, and vigorous vitality seem to be all kinds of preparations for statues on the snowy plateau. When the mountains, rivers, customs and customs of Tibet are solidified into eternal, Feng Wei's painstaking efforts to photography in Tibet have the meaning of life, and his films are also full of profound personality charm. 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 逆境的歷練對于成就一個人的事業(yè)而言，其經(jīng)歷本身即是一筆豐厚的精神財富。此理之于作家如此，畫家如此，其他藝術家亦復如是。馮偉為攝影創(chuàng)作就有過種種傳奇經(jīng)歷，孤獨無援的長途跋涉、九死一生的拍攝過程都沒使之膽怯與徬惶，相反使之幡然頓悟，懂得了生命的意義。以至于一次又一次深入西藏腹地，決心將高原谷地神圣高潔的內(nèi)心世界現(xiàn)于影照之中，使其富有表情的美妙瞬間成為永恒。懷著此等使命感的攝影家不避艱險深入其中而樂此不疲，超越自身生命極限的驚險歷程中透出的是一種難以言傳的神圣使命，因而景照所現(xiàn)多幽古清遠的天堂之美。在我如此回顧其攝影創(chuàng)作過程的時候，作為畫家的馮偉已再一次回歸筆墨言情的繪畫創(chuàng)作，期待他畫跡驚世的一天。乙未深秋，籽敘記于燈下（本文作者吳風，系美術史論家、詩人、書畫家、金石學家、中國美協(xié)會員、中國書協(xié)會員、中國美院教授，著有《中國紅色美術創(chuàng)作史話》等十四部學術專著。）? 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 The experience of adversity is a rich spiritual wealth for those who achieve their career. This is true of writers, painters and other artists. Feng Wei's photography creation has experienced all kinds of legends. The dangerous shooting process did not make him timid. On the contrary, he had an epiphany and understood the meaning of life. He went deep into the hinterland of Tibet again and again, determined to present the sacred and noble inner world of the plateau Valley in photography, and make its expressive and beautiful moments eternal. With such a sense of mission, photographers do not avoid difficulties and risks, which goes beyond their own limitations and becomes a sacred mission. The shadow works are full of the beauty of ancient and distant heaven. When I analyzed the success or failure of photography creation, Feng Wei, as a painter, has returned to the painting creation of pen, ink and emotion. We look forward to the day when his paintings will shock the world.Lu Zixu is a member of the Chinese Artists Association, a member of the Chinese Calligraphers Association, a visiting professor and an art researcher of the Chinese Academy of fine arts, and has written nine art academic monographs 馮偉作品 馮偉作品 馮偉作品 馮偉作品 馮偉作品 ????????????辛丑年2021年12月12日北京出品人/尚柔攝影/馮偉總監(jiān)／一禪百度搜索“雕塑家李剛”、“李剛立體主義＂可以了解更多有關雕塑家李剛作品藝術及評論歡迎您互相交流相互支持誠摯建立一個良好的交流平臺，為能量文化做好自己致敬北京通州區(qū)宋莊園領部落C幢4單元102室李剛雕塑藝術工作室AAbc?原創(chuàng)/中國藝術&線上國際歡迎支持轉(zhuǎn)摘.轉(zhuǎn)發(fā)中國能量文化 ????????????Xin Chou NianDecember 12, 2021BeijingProducer / Shang RouPhotography / Feng WeiDirector / yizenBaidu search"Sculptor Li Gang", "Li Gang Cubism"You can learn more aboutSculptor Li Gang's art works and commentsWelcomeCommunicate with each othersupport each otherSincerely establish a good communication platform,Be yourself for energy culturesaluteRoom 102, unit 4, building C, lingtribe, song manor, Tongzhou District, BeijingLi Gang sculpture art studioAABC ? original / Chinese Art & Online InternationalWelcome to support the translation and forwarding of Chinese energy culture

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馮偉 / 藝術作品，越 界，F(xiàn)eng Wei's works of Art，Cross the border

AAbc原創(chuàng) / 中國藝術&amp;線上國際

馮偉 / 藝術作品，越界，F(xiàn)eng Wei's works of Art，Cross the border

AAbc原創(chuàng) / 中國藝術&線上國際