<p class="ql-block" style="text-align:center;"><b>《象外·域外》</b></p><p class="ql-block" style="text-align:center;"><b>旅澳著名華人藝術(shù)家趙大陸油畫作品展</b></p><p class="ql-block" style="text-align:center;"><b style="font-size:18px;">預(yù)展酒會(huì)</b></p><p class="ql-block" style="text-align:center;"><b>2022年6月24日下午3點(diǎn)至5點(diǎn)</b></p><p class="ql-block" style="text-align:center;"><b>展覽開幕</b></p><p class="ql-block" style="text-align:center;"><b>2022年6月25日上午11點(diǎn)</b></p><p class="ql-block" style="text-align:center;"><b>展期6月25--7月2日</b></p><p class="ql-block" style="text-align:center;"><b>展覽地址</b></p><p class="ql-block" style="text-align:center;"><b>墨爾本大洋藝術(shù)中心 </b></p><p class="ql-block" style="text-align:center;"><b>125 Adderley St., West </b></p><p class="ql-block" style="text-align:center;"><b>Melbourne Vic 3003。</b></p> <p class="ql-block" style="text-align:center;"><b style="font-size:18px;">作為“星星美展”時(shí)代成就的著名畫家，</b></p><p class="ql-block" style="text-align:center;"><b style="font-size:18px;"><span class="ql-cursor">?</span>趙大陸是當(dāng)代中國藝術(shù)家中的翹楚。</b></p> <p class="ql-block"> 著名藝術(shù)活動(dòng)家CarrilloGantnerAC 高度評(píng)價(jià)即將在《象外·域外》展上展出的作品，是“通過他的眼睛審視我們的風(fēng)景，試圖從另一個(gè)角度指捉當(dāng)今世界新的視野。他的世界觀深受他對(duì)東方哲璺研究的影響。因此他的作品呈現(xiàn)給我們的是在這個(gè)國家很少見到的獨(dú)特的美感、原創(chuàng)性和對(duì)自然的熱情?！?lt;/p> <p class="ql-block"><b style="font-size:15px;">畫家趙大陸和Mr. Carrillo Gantner AC Zhao Dalu and Mr. Carrillo Gantner AC</b></p> <p class="ql-block"><b style="font-size:15px;">2009年在Booroola, </b></p><p class="ql-block"><b style="font-size:15px;">左起Mr. Carrillo Gantner AC、王子音、夏小希、趙大陸 From left to right：Mr. Carrillo Gantner AC，Ziyin Wang, Xiaoxi Xia and Zhao Dalu</b></p><p class="ql-block"><b style="font-size:15px;"> </b><span style="font-size:15px;">《象外·域外》是居住在墨爾本的著名華人藝術(shù)家趙大陸的新畫展。大陸是一位思想豐富且非常有成就的藝術(shù)家，他以其精美的肖像畫而聞名于澳大利亞和中國。多年來，大陸一直在嘗試?yán)L畫的表現(xiàn)形式，試圖用油畫材料以中國傳統(tǒng)的黑白水墨畫的風(fēng)格來捕捉澳大利亞的風(fēng)景。正如大陸所說，他的目的是通過他的眼睛審視我們的風(fēng)景，試圖從另一個(gè)角度捕捉當(dāng)今世界新的視野。他的世界觀深受他對(duì)東方哲學(xué)研究的影響，因此他的作品呈現(xiàn)給我們的是在這個(gè)國家很少見到的獨(dú)特的美感、原創(chuàng)性和對(duì)自然的熱情?！断笸狻び蛲狻肥珍浟舜箨懚嗄暝诎拇罄麃喩钜约八谥袊顣r(shí)創(chuàng)作的此類作品。像這個(gè)國家的其他中國出生的藝術(shù)家一樣，趙大陸是一位生活在中國和澳大利亞這兩個(gè)世界之間的藝術(shù)家。1970 年代末，文革剛結(jié)束時(shí)，他是我夫人子音在北京電影學(xué)院的同學(xué)，大陸在美術(shù)系，子音在導(dǎo)演系。1979年大陸與艾未未一起參加了著名的中國先鋒派首展——北京星星畫展，成為自由藝術(shù)家的參與者，在中國當(dāng)代藝術(shù)的發(fā)展中星星畫會(huì)被視為藝術(shù)史上的里程碑。本科畢業(yè)后，大陸曾在中央電視臺(tái)做過短暫的美術(shù)設(shè)計(jì)，隨后成為北京首都師范美術(shù)系教授，九十年代初去了歐洲直到二十年代初移居澳大利亞。他成為了肖像畫和具象作品的大師，受到廣泛的欽佩。我第一次見到大陸是在墨爾本2008 年 10 月他要回北京之前。在墨爾本他的工作室里擺滿了精美的畫作，包括斯蒂芬·菲茨杰拉德（Stephen Fitzgerald）的肖像，他是 1972 年高夫·惠特拉姆（Gough Whitlam）與中華人民共和國建交后我們的第一位澳大利亞駐華大使，（這幅作品現(xiàn)收藏于堪培拉國家肖像博物館）和另一個(gè)約翰·克拉克，他長(zhǎng)期擔(dān)任悉尼國家戲劇藝術(shù)學(xué)院的院長(zhǎng)（現(xiàn)在被塔斯馬尼亞大學(xué)收藏）。這些精美的肖像中的每一幅都獲得了阿奇博爾德獎(jiǎng)的人民選擇獎(jiǎng)。隨后的歲月里，我們多次與大陸和他的攝影師妻子小希在北京見面，通常在草場(chǎng)地艾未未家后面大陸的工作室里。在此期間，他展出了幾個(gè)主要系列的作品，包括在中國國家美術(shù)館舉辦的名為“閱讀記憶”的展覽，該展覽非常成功地捕捉到了年輕時(shí)情感但逐漸淡化的生活記憶。那個(gè)文化大革命時(shí)期的農(nóng)村生活。大陸現(xiàn)在又住在了澳大利亞墨爾本的郊外。他的家充滿了他的藝術(shù)作品，在畫布上和墻上都像錯(cuò)視畫一樣，他用雙手和眼睛辛勤勞動(dòng)，創(chuàng)造了一個(gè)美麗的花園。就像早期來到這個(gè)國家的英國移民一樣，他們從不滿足于來到這里，但當(dāng)他們回到“家”時(shí)也不滿足（閱讀亨利·亨德爾·理查森的《理查德·馬奧尼的財(cái)富》），大陸與他的根源脫節(jié)，被夾在兩個(gè)不同的世界之間，兩者都無法完全滿意。作為一名技藝精湛、多才多藝的畫家，現(xiàn)居住在澳大利亞干爽的鄉(xiāng)村，大陸目前正在描繪想象中的中國記憶，一個(gè)向往他從未真正居住過的地方的夢(mèng)想世界，一個(gè)中國寺廟、松樹和茂密綠竹的世界，有時(shí)充滿了五顏六色的想象的鳥類?；蛟S大陸最“真實(shí)”的作品仍然是他的肖像畫，無論是中國文化領(lǐng)軍人物，有時(shí)還是澳大利亞人，尤其是他的妻子小希，無論他們身處何地，他每年都會(huì)為她畫一幅不同的肖像畫。大陸為我描繪過一幅超酷的肖像，既準(zhǔn)確又完全是想象的。我喜歡它。 </span></p> <p class="ql-block"><span style="font-size:15px;">INTRODUCTION THE TWO WORLDS OF ZHAO DALU</span></p><p class="ql-block"><span style="font-size:15px;">By Carrillo Gantner AC</span></p><p class="ql-block"><span style="font-size:15px;">“Outside the World" is a new exhibition of paintings by Zhao Da Lu, a renowned Chinese artist living in Melbourne. Da Lu is a thoughtful and very accomplished artist who is best known in Australia and China for his fine portraits. For many years, Da Lu has been experimenting with form, trying to capture the Australian landscape in oil paint but in the style of Chinese traditional black and white ink drawings. As Da Lu explains, his intention is to examine our landscape through his eyes, seeking to capture today’s world from a new perspective. His view of the world is very much influenced by his studies of eastern philosophy, so his works present a unique beauty, originality and passion for nature such as we seldom see in this country.</span></p><p class="ql-block"><span style="font-size:15px;">“Outside the World” is a collection of Da Lu’s works painted over his many years of living in Australia as well as works from his life in China.</span></p><p class="ql-block"><br></p><p class="ql-block"><br></p><p class="ql-block"><span style="font-size:15px;">Like other Chinese born artists in this country, Zhao Dalu is an artist caught between two worlds – China and Australia. He was a classmate of my wife Ziyin at the Beijing Film Academy (BFA) in the late 1970s straight after the Cultural Revolution, though he was in the designer program and she in the director program. In September 1979, along with Ai Weiwei, Dalu was a member of the select group of freelance artists who participated in the famous first exhibition of avant garde in China, The Stars Art Exhibition in Beijing, which came to be regarded as a milestone in the development of China’s contemporary art.</span></p><p class="ql-block"><span style="font-size:15px;">After graduation from BFA, Dalu worked briefly as a production designer in China Central Television and subsequently became Professor of Painting at Beijing Capital Normal University until he moved to Australia in the late 1990s. He became a master of portraiture and figurative works which brought him</span></p><p class="ql-block"><span style="font-size:15px;">wide admiration.</span></p><p class="ql-block"><span style="font-size:15px;">I first met Dalu in Melbourne in October 2008 just before he returned to live in Beijing. His Melbourne studio was full of superb canvases including portraits of Stephen Fitzgerald, our first Australian Ambassador to China after Gough Whitlam established diplomatic relations with the People’s Republic of China in 1972 (this work is now in the collection of the National Portrait Gallery in Canberra) and another of John Clark, long term Director of The National Institute of Dramatic Art in Sydney (now in the collection of the University of Tasmania from whence John hailed). Each of these fine portraits had won the Peoples’ Choice Award in the Archibald Prize, though not the major award.</span></p><p class="ql-block"><span style="font-size:15px;">In the years that followed, we met Dalu</span></p><p class="ql-block"><span style="font-size:15px;">and his photographer wife Xiao Xi in Beijing on many occasions, usually in his studio at the rear of Ai Weiwei’s house. During this period, he exhibited several major series of work including a very successful exhibition called Reading Memory at the China National Gallery which captured the emotional but fading memories of life as a young man on an agricultural commune during the Cultural Revolution.</span></p><p class="ql-block"><span style="font-size:15px;">DaLu now lives again in Australia, just outside of Melbourne. His home is full of his art, on canvas and on the walls as trompe d’oeil, and he has laboured hard with his hands and his eye to create a beautiful garden. Like early English migrants to this country who were never satisfied to be here and yet never satisfied when they went back “home” (read The Fortunes of Richard Mahony by Henry Handel Richardson), Dalu is disconnected from his roots and caught between two different worlds, unable to find complete satisfaction in either.</span></p><p class="ql-block"><span style="font-size:15px;">As a wonderfully skilled and versatile painter, now living in the dry Australian countryside, Dalu is currently painting imagined memories of China, a dream world of longing for a place he never really inhabited, a world of Chinese temples, pine trees and lush green bamboo, sometimes filled with colourful imagined birds. Perhaps Dalu’s most ‘real’ work are still his portraits, whether of leading Chinese cultural figures or sometimes Australians, and especially of his wife Xiao Xi for whom he paints a different portrait every year in whatever location they find themselves. Dalu painted a superb wintry portrait of me which is both fiendishly accurate and utterly imagined. I love it.</span></p> <p class="ql-block" style="text-align:center;"><b style="font-size:15px;">藝術(shù)家簡(jiǎn)介</b></p><p class="ql-block"><b style="font-size:15px;"> </b><span style="font-size:15px;">趙大陸先生生于北京，成名于九十年代初。他于1978年考入北京電影學(xué)院美術(shù)系，并曾多年執(zhí)教于首都師范大學(xué)美術(shù)學(xué)院。他是1979年在北京舉辦的首屆“星星畫展”的參展藝術(shù)家。趙大陸先生曾經(jīng)在意大利學(xué)習(xí)歐洲傳統(tǒng)油畫技法，并且擅長(zhǎng)將之用于中國鄉(xiāng)土題材的繪畫創(chuàng)作中。趙大陸先生于2001年移居澳大利亞，現(xiàn)居于墨爾本。九十年代期間，趙大陸先生在羅馬、北京、新加坡舉行過多次個(gè)展。1997年應(yīng)邀為香港招商局制作歷史組畫。2001年6月作為亞太地區(qū)畫家的唯一代表應(yīng)邀參加聯(lián)合國糧農(nóng)組織在總部羅馬舉辦的《人與土地》文化藝術(shù)展，榮獲聯(lián)合國糧農(nóng)組織銀質(zhì)獎(jiǎng)?wù)?。?003年以來在悉尼、北京和深圳舉行多次個(gè)人美術(shù)展，其中包括2011年在中國美術(shù)館舉辦的《閱讀記憶》和2012年在何香凝美術(shù)館舉辦的《象外》。2003年以油畫《老費(fèi)》入選澳洲最富盛名的阿奇博爾德肖像畫獎(jiǎng)，是唯一一位在悉尼和墨爾本兩地同時(shí)獲得最高民意獎(jiǎng)的藝術(shù)家。2004年又以油畫《舞臺(tái)生涯－約翰·克拉克》入選阿奇博肖像畫展。同年，油畫《藝術(shù)系學(xué)生》入選澳大利亞道格莫蘭國家肖像展。2006年應(yīng)邀為中國船級(jí)社創(chuàng)作歷史組畫。2020年以油畫《陽光的日子》入選澳大利亞國家肖像美術(shù)館舉辦的首屆達(dá)令肖像畫展。趙大陸先生的作品被中國美術(shù)館、何香凝美術(shù)館、澳大利亞國家肖像美術(shù)館、澳大利亞昆士蘭州立美術(shù)館、中國航海博物館、聯(lián)合國糧農(nóng)組織、雅昌文化集團(tuán)、香港招商局集團(tuán)等主要機(jī)構(gòu)與重要私人藏家收藏。</span><b style="font-size:15px;">ABOUT THE ARTIST</b><span style="font-size:15px;">Zhao Dalu is a Beijing-born contemporary artist. He studied fine arts at Beijing Film Academy in 1978 and was in the first exhibition of the famous Stars Art Group in Beijing. By the mid-1990s he was included in the Who’s Who of Chinese Artists. He had taught fine arts at the Capital Normal University in Beijing for many years. He studied oil painting in Italy and is known for his unique integration of the traditional Western oil painting techniques into his Chinese rural landscapes. Zhao Dalu moved to Australia in 2001 and is now Melbourne based.During the 1990s, he held multiple solo exhibitions in Rome, Beijing and Singapore. In 2001 he was invited by Food and Agriculture Organization of the United Nations (FAO) as the only representative of Asian-Pacific artist to participate in the first L’uomo per la terra (Men for Earth) art exhibition at FAO’s headquarters in Rome. Since 2003 he has held several solo exhibitions in Sydney, Shenzhen and Beijing. In 2003 he won the Archibald Prize People’s Choice award for his portrait Lao Fei, Dr Stephen FitzGerald, the first Australia’s ambassador to China. In 2004 he was a finalist of the Archibald Prize for his portrait Stage Life - John Clark. In the same year, his portrait Art Student was a finalist in the Doug Moran National Portrait Prize. His latest portrait Days of Sunshine was nominated for the National Portrait Gallery Darling Portrait Prize in 2020. His works have been collected by the National Art Museum of China, the He Xiangning Art Museum, the National Portrait Gallery of Australia and the Queensland Art Gallery & Gallery of Modern Art, Australia.</span></p> <p class="ql-block"><b style="font-size:15px;">2003年，趙大陸以澳大利亞首任駐華大使的肖像畫入選阿奇博爾肖像畫展，獲人民之選獎(jiǎng)。Zhao Dalu with Dr. Stephen FitzGerald , the first Australia ambassador China In AGNSW.部分作品介紹</b></p> <p class="ql-block"><b style="font-size:15px;">域外#1 beyond Region #1 Oil on Canvas 90x160cm 2021</b></p> <p class="ql-block"><b style="font-size:15px;">域外#2 beyond Region #2 布面油畫 Oil on Canvas 66x90cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">域外 #3 Beyond Region#3布面油畫 Oil on Canvas 66x90cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">域外 #7 Beyond Region#7布面油畫 Oil on Canvas 90x66cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">域外 #6 Beyond Region#6布面油畫 Oil on Canvas 90x66cm 2022 </b></p> <p class="ql-block"><b style="font-size:15px;">象外 #31 Image by Image #31 布面油畫 Oil on Canvas 90x90cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">象外 #34 Image by Image #34 布面油畫 Oil on Canvas 90x90cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">象外#36 Image by Image#36 布面油畫 Oil on Canvas 90x90cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">象外#39 Image by Image #39 布面油畫 Oil on Canvas 90x90cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">象外#40 Image by Image #40 布面油畫 Oil on Canvas 90x90cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">象外 #41 Image by Image #40 布面油畫 Oil on Canvas 90x90cm 2022</b></p> <p class="ql-block"><b style="font-size:15px;">象外#29 Image by Image #29 布面油畫 Oil on Canvas 130 x 90cm 2021</b></p> <p class="ql-block"><b style="font-size:15px;">象外#16 Image by Image#16 布面油畫 Oil on Canvas 150x190cm 2012</b></p> <p class="ql-block"><b style="font-size:15px;">象外#13Image by Image#16 布面油畫 Oil on Canvas 150x190cm 2012</b></p> <p class="ql-block"><b style="font-size:15px;">荷塘 lotus pond 布面油畫 Oil on Canvas 125x185cm 2019</b></p> <p class="ql-block"><b style="font-size:15px;">大悲咒 Great Compassion Mantra 布面油畫 Oil on canvas 130x75cm 2020</b></p> <a href="https://mp.weixin.qq.com/s/ii_awDYuYnKdg3SQJuBsSw" >查看原文</a> 原文轉(zhuǎn)載自微信公眾號(hào),著作權(quán)歸作者所有